08 Sep 2016 à 19:29

08 Sep 2016 à 21:44
10 Sep 2016 à 08:32
Because he wanted to utilize the best light on the north side of the street, avoiding any shadows, Kane asked people to arrive by 10 a.m. — a tall order for artists who typically worked until 4 in the morning. In the 1994 documentary about the photograph, Steve Frankfurt, who was assisting Kane that day, put that early call time in perspective: “Somebody said they didn’t realize there were two 10 o’clocks in the same day.”